A mid-year review of Metacritic’s top-rated television shows is prompted by one I would have missed if not
for the list, where it comes in #5. Last Chance U: Basketball (MC-90,
NFX) arrives
after five seasons of the series that featured football, and was therefore the
first to attract my interest, and subsequent enthusiasm. If you love b-ball and/or films like the
superlative Hoop Dreams, then you’re in for a treat. Over the course of ten hour-long episodes, we
follow the East Los Angeles College Huskies as they have a season to remember,
vying for the Cali JUCO state championship.
The charismatic coach, insane when it suits his purposes and highly
considerate of his players in calmer moments, needs the title to avenge earlier
tournament losses. His players need to
showcase their talents for potentially moving up to Div. I, or even the
pros. A lot of agendas have to align for
them to reach their goal. The coach and
both his assistants get a lot of screen time, with three or four players in
particular followed throughout the season, on court and off. Game action, as well as incidents in locker
room and elsewhere, are sharply distilled.
Wrenching and joyous by turns, the 2019-20 season unfolds dramatically
to its unforeseen anticlimax. Though the
team of filmmakers may lack the singular vision of a Steve James, they are
highly adept at combining sports with human interest. See this, if you’re into hoops at all.
So here I’m going to run down
the Metacritic rating list, commenting on the urgency and warmth of my personal recommendation,
I’m certainly on board with
the top-rated Bo Burnham: Inside (98), a brilliant and hilarious deep
dive not only into the performer’s psyche but into the whole experience of
social media and Covid lockdown.
Romeo & Juliet (92) was good, but not that good, a theatrical
experience that made the most of the shutdown of theaters.
After one episode, I decided
that Underground Railroad (92) was not something I had to watch. Then
wondering whether I’d missed something, went back and started a second episode,
but before long, decided I was right at first glance. If you want to watch something profound about
the Black experience on Amazon Prime, watch Steve McQueen’s Small Axe series
instead.
Similarly, I was not grabbed
by the characters or situations of It’s a Sin (91), and bailed after one
episode.
Hemingway (88) was not a subject I cared to delve into, but the
second season of Ted Lasso (87) will definitely warrant another month of
AppleTV+. After several shows that I sampled
slightly or not at all, comes Elizabeth is Missing (86), not all that
good but notable for the return of Glenda Jackson.
Clustered at a Metacritic rating
of 85, I certainly endorse two British comedy series that are just back with
strong second seasons, Mae Martin’s Feel Good and the newest
Mitchell-Webb series Back. Also
the British psychological drama, Too Close.
I was moved by, but not
ecstatic about, The Black Church: This is Our Story, This is Our Song (85), though I ran out of patience with Exterminate
All the Brutes (83). Among
documentaries, I preferred Alex Gibney’s analytic series on the opioid crisis, The
Crime of the Century (84).
There follow several shows of
which I have no experience, but down at 81 (typically my threshold for “must
viewing”) are two half-hour comedy shows that I found surprisingly entertaining
and substantial, the second season of Dickinson (with Hailee Steinfeld
as the young Emily) and the first of Hacks (with Jean Smart as a Joan
Rivers-like comedian).
One more new tv series I
highly recommend, absent a rating, is the second season of Couples Therapy. So let’s see what the rest of the year will
bring.
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